Launch of the new cultural exchange programme under the EEA/Norway Grants
Historisk arkiv
Publisert under: Regjeringen Stoltenberg II
Utgiver: Utenriksdepartementet
Warszawa, 10. mai 2012
Tale/innlegg | Dato: 10.05.2012
- Out of a total of EUR 1.79 billion, close to EUR 190 million has been set aside for programmes in the cultural sector: cultural exchange programmes and cultural heritage programmes. The amount clearly reflects the importance Norway and Poland attach to the arts and to cultural heritage, sa utenriksminister Støre bl.a. under lanseringen.
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Your Majesty, Ms Komorowska, Excellencies,
Distinguished guests, dear friends,
We are “partners in ambitions”! We are gathered here today to celebrate the launch of the new cultural exchange programme in Poland – yet another step in our joint endeavour: country to country, people to people, “one culture” and “two cultures”!
The programme has ambitious aims: closer cultural dialogue and promotion of a new, yet deeply rooted European identity through enhanced understanding of cultural diversity. The programme will support projects in four areas: education in the field of arts and culture, cultural heritage, music and performing arts, and, finally, fine and visual arts. As I am sure you will all agree – a wide range of areas.
With this in view, I would like to encourage you – who will help to “fill in” the substance - to create new arenas where people can meet. To strengthen existing partnerships and create new ones, and to share – and exchange – your experience, ideas and views. This will provide a sound basis for further programmes and projects in this vital sector. That’s how successful projects come about and develop – not one party telling the other what to do.
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There is a solid platform to build on. As the State Visit shows, relations between Norway and Poland - two quite different nations in many ways (size, history, geography), but now increasingly close partners in Europe and allies in NATO - have developed dynamically, in both scope and depth, in recent years. Closer cultural cooperation is an important part of this picture. In fact, cultural cooperation is one of the reasons why our bilateral relations are so strong – and why they can become even stronger.
Through the EEA and Norway Grants, Norway – together with Iceland and Lichtenstein – is helping to reduce social and economic disparities in Europe and strengthen bilateral relations with 15 EU countries in Central and Southern Europe.
Out of a total of EUR 1.79 billion, close to EUR 190 million has been set aside for programmes in the cultural sector: cultural exchange programmes and cultural heritage programmes. The amount clearly reflects the importance both Norway and Poland attach to the arts and to cultural heritage. The initiative to earmark funding for this sector has come from both countries.
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Cultural expressions can be inspiring, thought-provoking and entertaining, and thus have a value in themselves, in our daily lives. However, the importance of culture and the value of successful projects can go beyond this.
The point I’d like to make is this: Europe is currently facing many challenges, such as how to address intolerance and xenophobia, how to live together – peacefully - in a diverse society. Europe’s extremely painful history in this regard had a particularly tragic outcome in Poland. The issue of the Jewish cultural heritage in this context – and in Norway as well - will always be a painful reminder of this.
My point is this:
Cultural expressions and traditions are and should be diverse – and should be presented as such. They draw on inspiration from rich local cultural heritage as well as national and international identities – universal currents. The arts know no borders. New generations speak the international language of art and culture fluently.
Cultural diversity encompasses the full range of expressions, skills and traditions of both individuals and communities, small and large.
Promoting cultural diversity involves fostering all this, as well as encouraging people with diverse social and cultural backgrounds to engage and to participate.
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A key issue in this respect is access to culture for all, regardless of social status and financial situation, regardless of where you live and how you earn your living. For urban and rural populations, for young and old, for the employed and unemployed. Cultural diversity can and must foster social inclusion and tolerance – social capital and trust - in my view.
Remember that culture cannot be forged out of political decisions. Fortunately. It depends on the creativity of artists and the genuine interest of the general public. However, certain political decisions – again, such as the decision to establish a cultural exchange programme – can play an enabling role.
How? Let me mention two examples:
One of the projects under the previous cultural exchange programme is a good illustration. The Polish–Norwegian jazz group NOR-POL BRIDGE recently held a concert in my home city, Oslo. They describe their music as a combination of free improvisation over the “cold” sounds of Nordic music and the “warm” sounds of Slavic music, as well as modern rhythms. They are inspired by both Edvard Grieg and Frederic Chopin.
Another major project under the previous exchange programme was entitled “Gustav Vigeland and the Young Poland sculpture”. The Vigeland museum in Oslo and the National Museum in Cracow created the fascinating exhibition “On the Paths of the Soul. Gustav Vigeland and Polish Sculpture around 1900”, which presented – possibly for the first time - the Polish influence on an outstanding Norwegian artist, Gustav Vigeland. We didn’t know then, but we know now that the project gave the Norwegian museum access to material that had previously been completely unknown to my country’s art historians. It showed how Norwegian and Polish artists were influenced by the same European impulses.
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Excellencies, dear friends,
The mutual benefits of our cooperation and partnership – in politics, trade, science, education and culture - cannot be overestimated.
Culture is often referred to as a tool, an instrument – a creative platform - that brings people together. Meetings between cultural expressions from all over the world give fresh input to traditional forms of expression. Music is a good example: jazz has drawn on inspiration from all parts of the world.
It is my hope that the new cultural exchange programme in Poland will give yet another voice to the Norwegian-Polish relations, to our common cultural roots, and to our shared European identity, which is and has to be democracy, diversity and tolerance.
Thank you.